showing 39 results matching medium:"Aquatint, drypoint"

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a seated mother in profile holding a kneeling child in her lap; child is raising their hands to the mother's neck and the mother's head is bowed toward the child; small, abstracted tower in the background along R edge, behind child

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

War, Hated by Mothers (Woman and Child), 1927 (published 1948)

Georges Rouault

Not on View

Mort de Pepe Illo (2nd compostion), plate E from Tauromaquia, 1816 (1876 edition)

Francisco José de Goya y Lucientes

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bullfighter pulling on bull's PR horn and tail; two men standing at right

El Mismo vuelca un Toro en la Plaza de Madrid, plate 16 from Tauromaquia, 1816

Francisco José de Goya y Lucientes

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Frontispiece for 'L'Illustration Nouvelle', 1877

FĂ©lix Buhot

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Plate 11

Two Heads Are Better Than One, 1816-1819

Francisco José de Goya y Lucientes

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plate 33 from Los Caprichos (second edition)

Count of the Palate, c. 1855

Francisco José de Goya y Lucientes

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bull at left being speared through its upper back and PR shoulder by a man on horseback at right, wearing a costume with cape and feathered hat and carrying a sword on his PL hip; grey ground

El Cid Campeador lanceado otro toro (El Cid Campeador Spearing Another Bull), 1816

Francisco José de Goya y Lucientes

Not on View
two men flanking a bull, each stabbing it with staffs, in the shoulder and PR side, in a spare grey landscape with trees at center middle ground

Otro modo de cazar á pie (Another Way of Hunting on Foot), 1816

Francisco José de Goya y Lucientes

Not on View
From a portfolio of six prints by six artists, commissioned by First Bank, Minneapolis.

%C2%A9 John Newman

Fold-Out, 1985 (1986)

John Newman; Printer: Vermillion Editions Limited, Minneapolis; Publisher: First Bank, Minneapolis

Not on View
After Velasquez. Probably included with bound set of Caprichos in MIA collection.

Infante Don Fernando, 1778

Francisco José de Goya y Lucientes; Artist: after Diego Rodriguez Velazquez

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Al Conde Palatino, 1918-1928

Francisco José de Goya y Lucientes

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Mater Inviolata, 19th century

Louis Legrand

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Etude pour la mère du Christ, 19th century

Louis Legrand

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Le fils du charpentier, 19th century

Louis Legrand

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Spit-bite aquatint, drypoint, and burnshing printed in black ink on gray Rives BFK with white Shikibu #1 chine collé.

Copyright %C2%A9 Jim Hodges%2C published by Highpoint Editions

days: I, 2021

Jim Hodges; Printer: Harlan & Weaver, New York; Publisher: Highpoint Editions, Minneapolis

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woman bending slightly at the waist, looking down, covered in floral patterned draping garments, in gold; cream colored ground with subtle gold linear floral patterning; ladybugs (or seed pods?) at woman's feet; woman wearing floral burqa holding up a grey and red machine gun vertically in LLC

%C2%A9 Ambreen Butt. All rights reserved.

Untitled (Golden Woman), 2008

Ambreen Butt; Publisher: Wingate Studio, Hinsdale, N.H.

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woman on her knees bending her body back, with her hands on her feet, looking up; woman wears purple blouse and slacks and blue-grey hijab with red dots and black flowers; end of woman's hijab curls upward forming the tail of a small dragon with orange wings with red spots; two circles made up of handguns in URC in grey and red, with faint repeating outlines of circles of handguns in background

%C2%A9 Ambreen Butt. All rights reserved.

Untitled (Woman/Dragon), 2008

Ambreen Butt; Publisher: Wingate Studio, Hinsdale, N.H.

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crowd of women wearing black burqas and holding bamboo poles at bottom; background has many ladybugs, with a higher concentration at the bottom and at top center to URC

%C2%A9 Ambreen Butt. All rights reserved.

Untitled (Ladybugs), 2008

Ambreen Butt; Publisher: Wingate Studio, Hinsdale, N.H.

Not on View
abstract image; two large symmetrical arcs with a vertical white line between them; ovoid space beneath arc on left has horizontal pattern like paving stones of irregular shapes; space beneath arc on right is mottled black and grey; line drawings in brown in ULC and LRQ of right angles with arcs and two symmetrical arcs in URC

%C2%A9 Martin Puryear

Lean To, 2012

Martin Puryear; Publisher: Paulson Fontaine Press, Berkeley, Calif.

Not on View

Trafalgar Tavern, Greenwich, 1878

James Tissot

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Interior of a Church in Milan, 19th Century

Mosé di Giosué Bianchi

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The Old Ones, from "Letters from My Windmill", c. 1879

FĂ©lix Buhot

Not on View

Midnight Revel, 1872

FĂ©lix Buhot

Not on View

The Angelus, c. 1876

FĂ©lix Buhot

Not on View

"Caramba!" She Said, from "An Old Mistress", c. 1874-1880

FĂ©lix Buhot

Not on View
head and shoulders of a woman wearing a black hijab in LRC, looking down, with a bamboo staff in front of her PL shoulder; woodpecker at top of staff; radiating pattern of grey police helmets and orange patterned scarves with black tassels in background

%C2%A9 Ambreen Butt. All rights reserved.

Untitled (Weeping Woman), 2008

Ambreen Butt; Publisher: Wingate Studio, Hinsdale, N.H.

Not on View
• Digital pigment print of scanned green floral drawing on verso of the Somerset Velvet paper. • Digital pigment print of scanned Sumi ink drawing printed onto Asuka paper. • Asuka hand-cut and chine colléd onto the Somerset Velvet paper, prior to intaglio. • Intaglio from one steel-faced copper plate drawn by the artist using aquatint, spit-bite, sugar-lift, and drypoint in black ink. • Screenprint in light gray on Coventry Rag paper. Screenprint in blue on museum board. • Butterfly element made of gampi holographic foil, stainless steel wire, and BEVA conservation film. • Coventry Rag border cut and adhered to Somerset Velvet intaglio print using BEVA conservation film and gampi paper. • Three-dimensional elements hand-cut and folded forward to the artist's specifications. • Coventry/Somerset print attached to museum board using BEVA conservation film and gampi paper. • lnserted the hand-cut and folded butterfly element through the museum board and attached with BEVA conservation film and gampi paper. Finally is the third print by Jim Hodges co-published by the Walker Art Center and Highpoint Editions intended to be part of a four-print series concerning the four seasons.

Copyright %C2%A9 Jim Hodges%2C published by Highpoint Editions and Walker Art Center

Finally, 2017

Jim Hodges; Printer: Highpoint Editions, Minneapolis; Publisher: Co-published by Highpoint Editions, Minneapolis; Publisher: Co-published by Walker Art Center, Minneapolis

Not on View

The Bar, 1921

Louis Marcoussis

Not on View
Woodcut: Hand-printed in dark blue with a barren on a sheet of white gampi from laser-cut luan plywood created from the artist's drawing and mounted to the Revere Silk sheet with wheat starch. Intaglio: Two steel-faced copper plates drawn by the artist using sugar-lift, spit-bite, scraping, burnishing, and extensive drypoint using sandpaper, twisted scribes, and scrapers printed in black ink. Screenprinting: Solid light blue shapes created using Rubylith material per colored paper shapes cut by the artist printed after the prints were dried and flattened. Digital: Digital pigment printing on white gampi from the artist's drawing on tracing paper adhered to BEV A conservation film and cut by a programed knife cutter and applied to the print with heat. Of Summer is the second print by Jim Hodges co-published by the Walker Art Center and Highpoint Editions intended to be part of a four print series concerning the four seasons. To match the presentation of the first print, Winter Speaks, each Of Summer print was mounted using kozo-shi strips to museum board with an 8-ply museum board window over mat.

Copyright %C2%A9 Jim Hodges%2C published by Highpoint Editions and Walker Art Center

ɹǝɯɯnS ɟo, 2016

Jim Hodges; Printer: Highpoint Editions, Minneapolis; Publisher: Co-published by Highpoint Editions, Minneapolis; Publisher: Co-published by Walker Art Center, Minneapolis

Not on View

Seated Choir Boy/ Enfant de Choeri, 19th century

Mosé di Giosué Bianchi

Not on View

Six Fairy Tales from the Brothers Grimm, 1970 (prints executed 1969)

David Hockney; Author: Jacob Ludwig Carl Grimm; Author: Wilhelm Carl Grimm; Translator: Heiner Bastian; Printer: P. Clement Print Shop, Amsterdam; Publisher: Petersburg Press, London and New York , in association with the Kasmin Gallery

Not on View

Proof of intaglio key plate and color plate with collé brown shape, 2015

Jim Hodges

Not on View

Proof of intaglio key plate and color plate with collé brown shape and screenprinting, 2015

Jim Hodges

Not on View

Proof of intaglio key plate and color plate with collé brown shape, screenprinting on hand-cut over-sheet attached with 10 diamond shapes, 2015

Jim Hodges

Not on View

Proof of intaglio key plate and color plate with collé brown shape, relief on hand-cut loose over-sheet, 2015

Jim Hodges

Not on View

Proof of intaglio key plate and color plate with collé brown shape and cool white lithography attached over-sheet, 2015

Jim Hodges

Not on View

Proof of intaglio key plate and color plate with collé brown shape, relief on hand-cut attached over-sheet, 2015

Jim Hodges

Not on View

Proof of intaglio key plate and color plate with collé brown shape and relief attached over-sheet, 2015

Jim Hodges

Not on View

Proof of intaglio key plate and color plate with collé brown shape and warm white lithography attached over-sheet, 2015

Jim Hodges

Not on View

showing 39 results matching medium:"Aquatint, drypoint"

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